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Peter Eggers - Keyboards, Tenor SaxophoneĪmerican prog and fusion band established in Lewisburg, Pennsylvania in the autumn of 1969 and disbanded in 1974. Joe DeCristopher - Acoustic, Electric Guitar Genre: Jazz Rock, Prog Rock, Psychedelic Rock It all adds up to a fine debut that's as effective as pure music as it is individual songs.ġ0.Alex Williams - Can't Get Enough of Youġ1.Alex Williams - Few Short Miles (Bobby's Song)
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He learned a lot about constructing songs from listening to those old records, so he gives Raymond a good framework upon which to build these outlaw fantasies. As sheer sonics, all these qualities make Better Than Myself pleasing, but it sustains its pleasure thanks to the sturdiness of Williams' songcraft. Where his idol Waylon boasted a full-throated vocal style, Williams feels appealingly lackadaisical, with a laid-back attitude that suits his tales of freak flags, old tattoos, strange days, and weed quite well. It's a perfect bed for Williams' drawl, and his laconic delivery not only recalls that of Jamey Johnson, but signals his age.
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Better Than Myself moves with a relaxed, confident swagger and its leathery rhythms are dressed in snapping Telecasters and winding steel guitar.
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With the assistance of producer Julian Raymond - a Grammy winner for Glen Campbell's 2014 song "I'm Not Gonna Miss You" - Williams expertly re-creates the lean, rangy sound of prime Waylon Jennings. Stapleton opened the door for a record as influenced by '70s outlaw country as Williams' 2017 debut Better Than Myself to be considered mainstream, and that's a good thing. Stapleton himself worked his way up through the farm system of Music City long before he struck paydirt with his 2015 album Traveller, a record so successful that it shifted the tides of a certain portion of Nashville. Truth is more complicated than this reductive formula, of course. log, booklet)īecause Alex Williams is signed to Big Machine, the Nashville powerhouse that Taylor Swift and Rascal Flatts call home, there may be a tendency to view Alex Williams as the pop version of Chris Stapleton - a singer/songwriter who is riding a trend instead of creating it. Interest in the band was renewed in the mid-80s psychedelic revival, and compilation albums were issued in both the USA and UK.įorming near the tail end of Houston's prolific psychedelic era, Fever Tree brought a Doors/Jim Morrison brand of dramatic theatricality almost unparalleled by any other Texas band to its songs and shows, primarily on the strength of vocalist Dennis Keller's voice. Fever Tree recorded four albums, three of which charted in the USA, before splitting up in 1970. Although only a minor chart hit, it received much airplay on the new USA FM rock stations and on John Peel's Top Gear radio programme in the UK. "San Francisco Girls (Return Of The Native)" was penned by Vivian Holtzman, one of the band's producers. Two unsuccessful singles were recorded, and the unit then signed to Uni Records, and recorded their self-titled debut album in 1968. The name change came in 1967 and the band subsequently signed with the Chicago-based Mainstream Records. Wolfe (bass), John Tuttle (drums) and Michael Knust (guitar), the psychedelic band formed in Houston, Texas, in the mid-60s as Bostwick Vine. Comprising Rob Landes (keyboards), Dennis Keller (vocals), E.E. Although a Texas, USA-based act, Fever Tree made its mark with a tribute to the Summer of Love's host city with their 1968 anthem "San Francisco Girls (Return Of The Native)".
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